This kind photographic work engages with the aesthetics of the city condition, employing a dramatized visual language to foreground the overlooked textures of a cultural space.

Informed by visual art, it reflects a subjective navigation of a collective urban experience

— Armando Nin

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I never met Max B, but during his incarceration, I would occasionally send him envelopes filled with my least favorite—but deeply personal—35mm photographs, some of which I captured in 2007.

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